Canon ELPH 300 HS / IXUS 220 HS

Canon ELPH 300 HS / IXUS 220 Hs
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Introduction

The Canon ELPH 300 HS is a 12.1 Megapixel super-slim conpact with a 2.7 inch screen out and a 5x stabilised optical zoom along. Open-air North America it's known as the IXUS 220 HS and from here on in I'll call it the ELPH 300 HS / IXUS 220 HS. The Hassium suffix stands for High Predisposition and denotes the presence of a hindermost illuminated CMOS sensor. This 12.1 Megapixel sensor forms the backbone of the 2011 ELPH / IXUS range and claims first-class low noise performance, relatively fast continuous shot and a best quality video mode of 1080p24 along with Super Slow Move movie modes.

The ELPH 300 Element 108 / IXUS 220 Hassium is essentially a point and shoot compendious and features Canon's Smart Auto mode with scenery detection, face off notice AF and a range of fit modes including the Miniature, Toy Photographic camera and Colour Accent Dribble Effect. Declared in February 2011, it's not the newest Canon point-and-shoot camera, only it has go extraordinary of the popular, ofttimes topping the charts.

Indeed in galore shipway the ELPH 300 HS / IXUS 220 HS is the perfectly well-balanced theoretical account in the range, combining many of the features of the higher end models in a super-squeeze initialise at an affordable price. Is it the Best all-round ELPH / IXUS, operating theatre is it worth paying extra for the ELPH 310 HS / IXUS 230 HS, or does the lower-priced ELPH 100 HS / IXUS 115 Atomic number 108 offer better value? Read our full followup to find out which is the best Canon point-and-shoot for you.

Canon ELPH 300 HS / IXUS 220 Atomic number 108 Design and controls

The two 'middle' models in the IXUS range, the ELPH 300 HS / IXUS 220 HS and the ELPH 310 Hs / IXUS 230 Hassium are, at original glance very similar, but hold them in your mitt and there's something about the ELPH 300 Atomic number 108 / IXUS 220 HS that makes IT different, specific even. It's slightly smaller and flatboat than the ELPH 310 HS / IXUS 230 HS, but that's not it. What you may non be able to see in the product dead reckoning above is the matt textured coating connected the ELPH 300 HS / IXUS 220 HS torso. It feels As if the camera has been covered in tightly fitting linen. I doubt that it has a lot application and in fact it First Baron Marks of Broughton easily, but I loved the feel of IT and IT's one of those things that makes a product attactive and desirable for no existent practicable reason. The ELPH 300 HS / IXUS 220 Element 108 is available in red and silver as well A black.

Despite its little size, the ELPH 300 Element 108 / IXUS 220 HS controls are asymptomatic laid out and big enough to operate with your flick. Connected the back on that point's a two-agency modality switch for toggling between Smart Auto and the current selection on the exposure mode menu. There's a conventional four-way controller plus playback and menu buttons and finally a dedicated movie record button conveniently place behind the shutter release.

The ELPH 300 HS / IXUS 220 Hassium has a 2.7in / 230k screen which is small by today's standards where 3in screens are becoming the norm. There's no more query that the 3 inch concealment on some the ELPH 310 HS / IXUS 230 HS and ELPH 100 HS / IXUS 115 HS is a big improvement. That aforementioned the shield provides a glimmery contrasty survey which is easy to go out in near conditions with the usual exception of direct sunshine. The illumination doesn't fall soured when viewed tied from discriminating horizontal or vertical angles, and then information technology's good for above the head shots and you won't have whatever problems reviewing shots with a group of friends.

The inherent winkle is located happening the top left corner and, as with all the current ELPH / IXUS models, you need to be careful not to unnoticeable it with your left index. It has a maximum range at the wide angle lens setting of 3.5 metres. The flash can be used in slow sync every bit well as auto modes and the AF illuminator on the front of the camera bottom be configured to multiple-rising as a red-eye reduction lamp, enlightening just antecedent to an exposure to force people's irises to contract. You can also apply a software red-eye correction, pre or post-shooting. Though the ELPH 300 HS / IXUS 220 HS doesn't have a hotshoe it can be used with Canon's HF-DC1 and HF-DC2 external slave flash units.

The ELPH 300 HS / IXUS 220 HS' USB / AV proscribed and HDMI ports are situated behind a small gumshoe cover on the right side. A USB cable television is supplied to transfer photos and TV to a PC, and in that respect's an Ab cable for connecting to a standard definition TV with a composite video recording RCA plug (something that's not included in the more high-priced ELPH 310 HS / IXUS 230 HS).

Canon ELPH 300 HS / IXUS 220 Atomic number 108 lens and stabilisation

The 5x ocular zoom lens on the ELPH 300 Atomic number 108 / IXUS 220 Atomic number 108 has an eq range of 24-120mm. While information technology lacks the coverage of the double guns in the ELPH / IXUS range – 8X happening the ELPH 310 Hassium / IXUS 230 HS and 12x on the ELPH 510 HS / IXUS 1100 HS – IT zooms wider than either of the higher remnant models and is a great range for general purpose shooting. The 120mm telephotograph won't get you close enough for sports or wildlife (differently at the zoo), merely it is long enough to get you close to moderately distant natural action and for tight frame on candid shots. The different top side to a somewhat shorter zoom range is that you get a wider maximum aperture at the wide angle background: f2.7 compared with f3 on the ELPH 310 HS / IXUS 230 HS.

ELPH 300 HS / IXUS 220 HS coverage wide

ELPH 300 Hassium / IXUS 220 HS coverage tele

4.3-21.5mm at 4.3mm (24mm equivalent) 4.3-21.5mm at 21.5mm (120mm equivalent)

The ELPH 300 Element 108 / IXUS 220 HS has optical image stabilisation. Unlike the new Rational IS arrangement connected the high close ELPH / IXUS models, it doesn't automatically adapt to assorted conditions, but it does utilise the same optical system which moves the lense elements to couteract television camera shake. There are four modes – Off, Continuous, Shoot only and Panning.

ELPH 300 HS / IXUS 220 HS 4.3-21.5mm f3-5.9 IS Off/On (Continuous)

100% crop, 4.3-21.5mm at 21.5mm, 100 ISO, 1/5, IS off.

100% crop, 4.3-21.5mm at 21.5mm, 100 ISO, 1/5, IS on.

To test the stabilisation on the ELPH 300 HS / IXUS 220 HS I took a serial of handheld shots at different shutter speeds with the lens set to its maximum zoom setting of 120mm (equivalent), both with IS determine to Continuous and sour off. The crops above are from shots taken at 1/5 with the IS revolved off (left) and on Continuous (right). As you can see, the ELPH 300 HS / IXUS 220 HS is capable of an impressive 4 boodle of stabilisation.

Canyon ELPH 310 Hs / IXUS 230 HS shooting modes

In Bright Automobile mode the ELPH 300 HS / IXUS 220 HS uses scene detection to determine the best exposure. The Digic 4 processor's approach to scene detection is a sophisticated one, first crucial whether thither are people in the frame and if they are restless, so what the lighting conditions are and finally whether the camera is adorned on a tripod. IT's quick and almost always accurate.

Flick the many-sided photo mode switch to the alternate position and you figure Program musical mode surgery one of the 24 conniption modes traded on the exposure mode flyout of the Func menu. These include Creative filter personal effects – Monochrome, Dally Camera, Fish-eye, Super Vivid, Card Effect, Colour Accent, Emblazon Swap and Miniature. Like other HS-series models, the ELPH 300 HS / IXUS 220 HS offers a Hand-held Night Conniption musical mode to subjugate disturbance (ascertain results pages) and also a Best Ikon Selection mode which takes fivesome shots in rapid chronological succession and chooses the best one, which more often than not way the one with to the lowest degree camera shake and subject slur, and saves information technology to the scorecard. It's useful in situations where the light means you stern't be confident of acquiring a good shot, just the fact that it's limited to 3M resolution is passably unsatisfying.

The Smart Shutter scene mood can kindle the shutter up to 10 times when a smile is perceived, and includes Face and Flash self-timer functions so that you can include yourself in a group photo without snappy round. There's besides Canyon's innovative movie digest mode which compiles short video clips automatically captured before all shot you take. It's a fun to see a video emerge of your mean solar day's pic-taking, especially of people as they perfect their poses, although the downside is the continuous buffering of video will see your batteries deplete more quickly, so beware if you'Ra out without a scrimpy.

Canyon ELPH 300 HS / IXUS 200 Atomic number 108 movie modes

The ELPH 300 HS / IXUS 220 HS' best quality movie mode is 1080p24, the HD mode that Canon seems to wealthy person settled on for the entire 2011 ELPH / IXUS swan. IT must have been tempting for Canon to limit the models in the lower ending of the scope to 720p, but even the entry level ELPH 100 HS / IXUS 115 HS can boast 1080p24, though it lacks the physics zoom during video transcription feature present on the ELPH 300 HS / IXUS 220 HS

Movies can beryllium shot in Computer programme Auto exposure mode surgery Smart Auto mode which takes advantage of scene detection to find the correct exposure. Some of the scene modes and what were once called Originative Effects can too be used for motion picture shooting including including Miniature mode. Aside default, Miniature mode movies are barb in normal definition 640 x 480 format. If you neediness to pullulate in the best quality 720p mode for the Miniature effect you have to early change the still photo expression ratio to 16:9. This is an odd way of doing things; we'd require the unexcelled superior modality to be the default on and it would draw more sense for the movie mode settings to conform to whatever was exercise set for 'normal' shooting, rather than tucked departed in the still image formats. One of the advantages that Canon's Miniature mode has over some other variants though is that you hindquarters take the focus zone area. This is done by flowing a rectangular frame up and low the sieve and derriere be set in some flat and stand-up planes either for portrait shots or where the subject just plant better with the foggy regions to the left and right of the focus zone, sort o than top and butt. You butt see an object lesson to a lower place.

Finally, the ELPH 300 HS / IXUS 230 HS has Super Slow Motion movie style which shoots 640 x 480 clips at 120fps and 320 x 240 clips at 240fps. When played back at 30fps these are sped up by a factor of 4x and 8x respectively. You can see examples in our Canon SX40 HS review – just scroll down to the movie section.

Movie shot employs Dynamic IS which provides extra stabilisation to iron prohibited wobbles caused, for example by walk-to and shot a the same time. There's no Powered IS option, which reduces shakes at the full telephoto focal length happening models with a longer zoom range, only with a upper limit telephoto range of 120mm information technology would be of limited use here.

Canon ELPH 300 HS / IXUS 220 HS sample video 1: alfresco, sunny, hand-held pan off with optical zoom

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No Powered IS, but projectile IS is enough to restrain the ELPH 300 HS / IXUS 220 HS very unshakable at the maximum 5x extent of the zoom. The focus wanders a little at the closing of the pan out, but quickly recovers.

Canon ELPH 300 HS / IXUS 220 Hassium taste video 2: outdoors, sunny, tripod pan with sensory receptor zoom

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On this tripod-mounted panning crack the center is still wandering a little. The biaural mics are quite susceptible to meander and manipulation noise, only the zoom motor, though sounding isn't too intrusive.

Canon ELPH 300 HS / IXUS 220 HS taste video 3: inside, low-light, handheld pan

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The video quality is a bit noisy, only everything other about this interior panning stab is good, from exposure and white balance to audio quality.

Canon ELPH 300 Hassium / IXUS 220 HS sample video 4: Miniature effect

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Like all the current IXUS models, the ELPH 300 Hassium / IXUS 220 HS can shoot in miniature way at 720p resolution if you place the aspect ratio to 16:9, other it defaults to VGA (640 x 480). This clip was shot in the 10x amphetamine mode.

Canon ELPH 300 HS / IXUS 220 HS

handling

Press the on/dispatch button and the ELPH 300 HS / IXUS 220 Hs is ready to take a shot in about cardinal and a half seconds; that's on the lentissimo position of mean, but comparable with other ELPH / IXUS models. The single f number 5X zoom covers the range at speedy speed, but can cost nudged in fine increments too. Information technology emits a slight whine in normal consumption, and although you can't hear it when used during movie recording its sound is just picked up by the inherent stereo mics.

The multilateral position switch works well, allowing you to switch between Smart Car mode and another modal value of your selection – IT could be Plan Auto OR any unrivalled of the view modes – without the pettifoggery or complication of a stentorian blown mode dial. Simply if you want to use a other exposure modality – say Hi F number Burst OR matchless of the modes formerly known as Creative Effects, then you have to scroll finished a menu containing nary fewer than 25 options. This is poor UI design by any standards and it's specially dissatisfactory donated the obvious attention to detail given to virtually all other aspect of the ELPH 300 HS / IXUS 220 Element 108' aim.

Canon's face detect AF is one of the most reliable more or less and is specially good at locking onto faces even when they're some distance form the camera and turned to partial profile. Like all so much systems it does struggle a little in poor lighting though. Likewise, in good lighting conditions the tracking AF mode does a good job of following a target object in the anatomy. If all else fails thither's a pore mode to relapse on with a choice of two centrical AF area sizes.

In continuous shooting mode the ELPH 300 HS / IXUS 220 Hassium managed 2.3 frames per second – a lilliputian slower than the quoted 3.4fps. It also has a reduced resolution High Speed volley mode which produces 3 Megapixel shots at a rate of 6.3fps again slightly slower than the 8fps quoted rate.

The ELPH 300 Hassium / IXUS 220 HS has a 12.1 Megapixel rearward-lit CMOS sensor which produces 4:3 still images with a maximum size of 4000 x 3000 pixels and has deuce JPEG compression quality settings. Connected the best quality fine setting picture file in size around 3MB. The ISO range is 100 to 3200 ISO and the shutter pep pill range is 15 seconds to 1/1500th of a second, that's a trifle slower than the 1/2000th of a intermediate along the ELPH 310 HS / IXUS 230 HS

To reckon how the quality of the ELPH 300 HS / IXUS 220 HS measures-aweigh in rehearse, take a view our factual-life resolution and high ISO noise results pages, browse the sample images gallery, or skip to the chase and point straight for our finding of fact.

Canon ELPH 300 HS / IXUS 220 HS

Source: https://www.cameralabs.com/canon_powershot_elph_300_hs_ixus_220_hs/

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